Joseph McElroy is one of the great contemporary American novelists, a stylist and innovator comparable only to Thomas Pynchon, William Gaddis, or Don DeLillo. Having published his first novel,
A Smuggler’s Bible, in 1966, McElroy is often associated with the first wave of postmodernist writing in America. However, his unique way of responding to the postmodern challenge to narrative places him in a category of his own, either as a belated high modernist or as a practitioner of a postmodernism that exists in what he himself has called, in the subtitle of one of his novels, a “paraphase,” a transitional space that exists side by side with the predominant or overt discourse of the time.
McElroy stands aside from many of his literary contemporaries because his concerns are not primarily
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Citation: Hantke, Steffen. "Joseph McElroy". The Literary Encyclopedia. First published 08 January 2001 [https://www.litencyc.com/php/speople.php?rec=true&UID=3040, accessed 21 November 2024.]