is central to Christina Stead's position as a significant writer of the Modernist period. Set in Paris in 1934, it depicts a haunting metropolis, peopled, as one character remarks, with “many beauties – and furies.” Underpinned by a critique of commodity capitalism, the socialist characters appear ultimately self-serving. Stead weaves her Marxism and her feminism together, so that the economic content has everything to do with the novel's discussion of female beauty and romantic idealism.
The novel centres around Elvira Western, who, at the opening of the text, has left her doctor husband, Paul, in Mecklenburgh Square, Bloomsbury and is on the train to Paris to join her lover, Oliver Fenton, a doctoral student. Elvira wavers throughout the novel as to whether
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Citation: Snaith, Anna. "The Beauties and Furies". The Literary Encyclopedia. First published 07 July 2001 [https://www.litencyc.com/php/sworks.php?rec=true&UID=1511, accessed 26 November 2024.]