Samuel Richardson, Sir Charles Grandison

Jennie Batchelor (University of Kent at Canterbury)
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Richardson's

History of Sir Charles Grandison

(1753-1754), marks a significant departure from his earlier works. Though the novel, like its predecessors, is written in the epistolary mode and shares many thematic interests in common with the much-slighted but popular

Pamela

(1740) and the author's tragic masterpiece

Clarissa

(1747-1748),

Grandison

enacts a crucial displacement of subject and perspective. In response to entreaties from many of his attentive correspondents, and possibly as a reaction to the enthusiastic reception of Fielding's

Tom Jones

(1749), the increasingly ailing Richardson was driven to write a final novel centred around a “good man” rather than a good woman.

Richardson was all too aware that his previous novels offered few positive models of masculinity amongst

2130 words

Citation: Batchelor, Jennie. "Sir Charles Grandison". The Literary Encyclopedia. First published 21 March 2002 [https://www.litencyc.com/php/sworks.php?rec=true&UID=2057, accessed 21 November 2024.]

2057 Sir Charles Grandison 3 Historical context notes are intended to give basic and preliminary information on a topic. In some cases they will be expanded into longer entries as the Literary Encyclopedia evolves.

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