is heavily indebted to Books I and IV of Virgil’s
Aeneid, an Augustan-era poem describing Rome’s foundation by the Trojan prince Aeneas following that city’s legendary fall. Marlowe supplements his engagement with this classical epic, which was widely read in sixteenth-century England, with material drawn from Virgil’s rival Ovid’s iconoclastic
Metamorphoses,
Amores, and
Heroides. In fact,
Didois often said to be distinctly “Ovidian” in tone: a characterisation that emphasises the play’s overt eroticism, irreverent treatment of the gods, and playfully ironic approach. Furthermore, Marlowe’s dramatization of Aeneas’ love affair with the Carthaginian queen Dido introduces elements that are entirely his invention, including a subplot that depicts…
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Citation: Preedy, Chloe Kathleen. "The Tragedy of Dido, Queen of Carthage". The Literary Encyclopedia. First published 16 August 2021 [https://www.litencyc.com/php/sworks.php?rec=true&UID=7958, accessed 26 November 2024.]