Martin Amis’s novel
Time’s Arrowcan be defined, at one level, as an “unnatural narrative” (Alber 2009) because intradiegetic time (time within the story) moves backwards. Many narratives confront us with retrogressive temporalities (Richardson 2002: 49-50), among which one can mention Elizabeth Jane Howard’s novel
The Long View(1956), Charles Hubert Sisson’s novel
Christopher Homm(1965), Tom Stoppard’s play
Artist Descending a Staircase(1972), Don DeLillo’s novel
Underworld(1997) and Christopher Nolan’s film
Memento(2001). In most of these cases of reversed time the narrative discourse represents a chronological sequence of events in such a way that we gradually move backwards in time, while the individual sections themselves preserve a regular chronology, i.e.…
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Citation: Alber, Jan. "Time's Arrow". The Literary Encyclopedia. First published 04 January 2010 [https://www.litencyc.com/php/sworks.php?rec=true&UID=8356, accessed 22 November 2024.]